23 March - 6 April
Curated by Amanda Lynch in association with Correspondence Collective and Clayhill Arts
Initially drawn with explosive mark-making techniques on large sheets of paper, the cutting and folding process creates unexpected compositions, glimpses of textured surfaces that draw you in. As the piece grows it becomes a sculptural entity with endless possibilities for display.
The Sketchbook Project has been on my radar for many years and I was lucky to see a selection of books at the Other Art Fair in London. If you have been following me for a while you will realise that I am keen to continue to develop my drawing. Sometimes this takes me on a little sideloop but it always adds to my knowledge and experience.
In lieu of two postponed residencies this summer I gave myself permission to play with the graphite and created some artist books. This is a short video of the first.
Graphite is such a tactile material which needs to be seen to be fully appreciated. There are subtle nuances of colour and texture. The surface can be burnished to an almost mirror shine or applied gently as silk, a soft smoky sheen. Hidden marks create layers, a history, and trick the eye with connections to real objects, ancient landscapes or city skylines. Replicating the ripples of a tossed stone, the jagged edge of broken glass, trees whispering in the forest - listen : follow with your eyes and you will hear sounds and feel my world.
When there's something happening in the studio you might like to know.
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